Camera Movements and Midday
Duo exhibition " Post-Sculpture" with Bruce McLean curated by Clement Dirié at 1m3 art space, Lausanne, Switzerland, 2013
Bruce McLean et Jean-Baptiste Maître
Post-Sculpture
Une exposition proposé par Clément Dirié
Vernissage le 24 janvier de 18h à 21h
Exposition du 25 janvier au 16 mars 2013
Ouvert mardi, vendredi et samedi de 15h à 19h
Galerie 1m3
Avenue de la Harpe 45
CH-1007 Lausanne
VARIOUS COMBINATIONS OF CAMERA MOVEMENTS USING DOLLY TRACKS FOLLOWING 'CIRCLES AND ARCS FROM THE MIDPOINTS OF FOUR SIDES', 2012
Installation of soft camera tracks on the floor,
set of framed drawings (ink intervention on reprinted Sol Lewitt drawing on architectural map),
and site specific video.
Site specific film produced in the occasion of the exhibition Post-Sculpture: Bruce MCLean, Jean-Baptiste Maitre, at Galerie 1M3, LAusanne, January 2013
MIDDAY
41 pieces of yellow painted steel arranged on the floor, 450 cm x 250 cm aproximatively, 2011
ENG – I have reconstructed Anthony Caro’s 1960 steel sculpture ‘Midday’ (without knowing its original shape) by following the description of a museum audio-guide (MoMA NY). The soundtrack provides a description of the sculpture given by a curator of the collection. This results to 41 pieces of yellow painted steel arranged on the floor, on a surface of approximately 450 x 250 cm. The idea of this work is to measure how shape is transformed when mediated and communicated.