​The film "Untitled Sculptures at the Bonnefantenmuseum" showcases a fictional exhibition of minimalist, plank-like sculptures within Maastricht's Bonnefantenmuseum. It delves into the unique qualities of video—such as grain, shifts in perspective, and transitions from blurriness to sharpness—prioritizing these visual elements over the actual content. The intention is for the film to transform into a sculpture itself, interacting dynamically with the space in which it is displayed. Accompanying photographs provide precise depictions of the sculptures featured in the video, serving as evidence of their existence.